2012 Book Report: First Quarter

It's a new year and a (mostly) new slate of books. Again, my target is to read 100 books in 2012—I hope I have the full year before the world ends. You'd think by the lack of posts on the blog I'd have spent more time reading, but ... well, you'll see.

Key: C: Children's; F: Fantasy; H: Historical; Hr: Horror; M: Mystery; MG: Middle Grade (ages 8-12); NF: Nonfiction; P: Poetry; R: Romance; SF: Science Fiction; SS: Short Stories; V: Verse novel; YA: Young Adult (age 13+); *not in the last ten years at least; ^for work; #e-book.

01/02/12: Sarah Rees Brennan, The Demon's Lexicon (F, YA, 1)
01/07/12: Rees Brennan, The Demon's Covenant (F, YA, 1)
01/15/12: Nathan Wolfe, The Viral Storm (NF, 1)
01/18/12: Ransom Riggs, Miss Peregrine's Home for Peculiar Children (F, YA, 1)
01/26/12: Margaret Atwood, Oryx and Crake # (SF, 1)
01/29/12: Rees Brennan, The Demon's Surrender (F, YA, 1)
02/02/12: Steven Johnson, The Ghost Map (NF, 1)
02/06/12: Jennifer Carson, Hapenny Magick (MG, F, 1)
02/09/12: Daniel Handler and Maira Kalman, Why We Broke Up (YA, 1)
02/13/12: Michael Grant, Hunger (YA, SF, 1)
02/16/12: Grant, Lies (YA, SF, 1)
02/19/12: Grant, Plague (YA, SF, 1)
02/23/12: Kristin Cashore, Graceling (YA, F, 1)
02/26/12: Grant, The Call (MG, F, 1)
03/06/12: Siddhartha Mukherjee, The Emperor of All Maladies # (NF, 1)
03/12/12: Cashore, Fire (YA, F, 1)
03/16/12: Suzanne Collins, The Hunger Games # (YA, SF, 3)
03/18/12: Collins, Catching Fire # (YA, SF, 2)
03/21/12: Collins, Mockingjay # (YA, SF, 2)
03/25/12: Connie Willis, Doomsday Book (SF, 5ish)

Wow, only 20 books for the quarter. It didn't feel like I was working like crazy, or that I wasn't reading. I guess I've just been slow. A lot of the YA books were by people I was profiling for work, but I chose them because they looked interesting, and they were. Still, it's hard to pick my favorite book of the quarter; there weren't any real stinkers, and a lot of very good books, but nothing that jumped up and grabbed me and made me want to share it with everyone around me. The closest of the first-timers I read was probably Sarah Rees Brennan's The Demon's Lexicon, which had a great voice, a cool urban fantasy world, and a fantastic twist I didn't see coming. If urban fantasy is your thing, I recommend it.

Photo of the Week--2/20/11

Oh, yeah, they also have mountains in Colorado. It's fun driving up and coasting down them, and getting awesome pictures like this one. I love it when you get such a wide vista that it feels like you're looking down at a map: Ooo! I see roads! Look at the river twist! There's the highest peak! Somehow it makes you feel like you're getting away from it all and yet still in charge of all you survey.

Photo of the Week--2/6/12

I call this photo "Self-Portrait with Waterfall." There wasn't a good place to set up my camera with the timer—it was pretty crowded for that, anyway—so I sat down, stretched out, and put my feet in the picture. I figure they deserved it; by this point in the hike they had gone around 6 miles along the Glacier Gorge Trailhead in Rocky Mountain National Park. And look! They are still on the end of my legs, looking ready to take me another mile or so!

Photo of the Week--1/30/12

You might have guessed from previous photos that I like trees, especially ones that take twisty turny shapes. I found this one while hiking along the Glacier Gorge Trail in Rocky Mountain National Park. (In Colorado, of course.) The scenery here was so gorgeous I almost forgot I was at nearly 10,000 feet of elevation during the six-nile trek. (My lungs were happy to remind me any time I found a steep section of trail, however.) Any physical discomfort was worth it to sit and have my lunch here, in the shade of a twisty tree with a cool lake at my feet.

Quilting How-To: Simple Piecing

So I've written about choosing fabrics and strip cutting; now I'm at the step where you take all that fabric you cut apart and lovingly put it together again. Maybe sometime in the future (when I'm working on the appropriate project) I'll talk about piecing more complex shapes, like triangles, but for now I'll just consider simple piecing of rectangular shapes. Rectangles are simple because they always line up on one side—at least, that's the goal.

Now, I pre-cut all my pieces so I could pair the fabrics together in squares, and make sure I had a balance of pairs before sewing. (I didn't want all of fabric 1 to be paired with fabric 2, I wanted it matched equally with the other 11 fabrics.) This precluded doing real strip piecing, where you leave at least one fabric in long strips, sew pieces of a second fabric to the strip, and then cut them to the appropriate size. Still, I could save thread by stitching in series, rather than piece by piece. I had at least two blocks of every two-fabric combination, so I made piles of the two sizes of strips. I sewed the first seam of the first block, let the machine go a few stitches over, then fed in the first seam of the second block, like you see in the first picture. After I was halfway through the second block's seam, I could cut the first block off the stitching and match it with a piece to do the second seam. By alternating back and forth between two blocks in this way, and not stopping and cutting after each seam, I minimized the amount of thread used between seams. When you're stitching 240 blocks, that could be a lot of wasted thread.

So once I had my blocks made and laid out (I'll cover that in a separate post), it was time to sew them together. Here is the trickiest part of piecing: getting  seams to match. As you can see from this photo,  I had to match these two edges where three pieces were joined together. I wanted those two middle seams to match exactly. Now, you can carefully measure while you're cutting your pieces, and carefully set your machine to sew an exact ¼-inch seam, and still not get your edges to match. Seams can be bulky and messy when you sew them together.


But do not fear! There is a trick to getting your seams to match, and it's all in the pressing. When I initially pieced the blocks, I did them in pairs like this one. I knew these seams would be abutting each other, so I carefully identified one fabric as the "dark" and one as the "light." For the center seam, I always pressed the seam towards the "dark" side (in this photo, the green fabric). So on one square, the center seams were pressed to the outside. On its opposite mate, they went to inside. In this way, when I aligned the edges, I could match the seams and have an equal amount of fabric on either side. Pin the seams together and you have a very good chance of aligning your seams.

Of course, you still have to be careful when stitching, especially if the bottom seam is pointing up (towards the machine). If you're not careful, the motion of pulling the seam up towards the machine will flip the bottom down, and then you have a bumpy seam. But if you're careful, you get a nicely aligned seam, like the one in the finished picture here.

When you get to the stage where you're piecing blocks in rows, and then stitching whole rows together, you again need to be conscious of which way you're pressing the seams. I generally wait until I've sewn a whole row together, then I press all the seams in the first row "up." All the seams in the second row go "down," so I can do the same aligning of seams. I double-check, row by row, until I'm finished. The smoother the seams, the smoother the quilting. But that's getting ahead of myself. You'll have to wait for a future installment to learn about that.

Photo of the Week--1/23/12

It's finally cold here in Michigan, so we're all thinking thoughts of warm places—especially Florida, where so many snowbird like to escape to in the winter months. We took a visit down to a snowbird last winter and took a drive through the Big Cypress National Preserve. We thought these alligators had the right idea: sit out and soak up the sun. And maybe eat a few unsuspecting tourists.

2011 Final Book Report

Here's where I go into a little more detail about the books I read in 2011, as well as pick my favorite book of all the books I read this year.

102 total books read (1.96 per week)
76 books read for the first time
47 books of nonfiction/biography/memoir
40 books read for work
24 read on the e-reader
18 books for children or young adults
17 sci-fi books
7 fantasies
5 Austen-related
1 classic for first time

Pretty interesting when I compare to 2010; the percentage of books I read for the first time was 75%, almost as good as last year (77%) and better than 2009 (71%). Unlike last year, when the majority of books I read were for young adults or children, this year the biggest portion of my reading material (46%) came from nonfiction, mostly books I read for research. Sci-fi was up by a couple of books and fantasy down by almost two-thirds. Classics and Austen-related books also took big hits, as I didn't have time to write about them in my blog.

The most interesting number, I believe, is the new line item: 24 books read on the e-reader, which I received for Christmas 2010. I've purchased a few e-books online, checked out several from the library, and got a big hunk of the ones I read from  CDs included with the latest volumes of my favorite series from Baen publishers. It will be interesting to see, especially with no big research project looming, how much that e-book number grows in 2012. You'll just have to check back in a year to find out! In the meantime, here were my favorite books of 2011:

Favorite book of the first quarter: E. Lockhart's The Disreputable History of Frankie Landau-Banks, a funny YA school story with lots to say about friends and gender roles.

Favorite book of the second quarter: Ian McEwan's Atonement, both a historical novel and a meditation on writing.

Favorite book of the third quarter: Louis Sachar's Holes, the 1998 Newbery Medal winner (I'm a little behind) and still a wonderfully plotted book with great characters.

Favorite book of the fourth quarter: Jay Asher's Thirteen Reasons Why (fiction), a moving mystery about a girl's suicide; and Erik Larsen's Devil in the White City (nonfiction), an intertwined account of the 1893 Chicago World's Fair and the murderous doctor who haunted it.

And my favorite book of 2011? Of course, I have to choose Atonement. Beautiful language, epic scope, and a doozy of a final twist—all to explore the role of the author and the act of writing. How could I resist?