It's been tricky finding time to read, but luckily I'd already read two of the books on the 2007 list that "exemplify literary excellence in young adult literature," according to the American Library Association. It was an outstanding year for Printz books.
Winner:
Gene Luen Yang, American Born Chinese
Honor books:
M.T. Anderson, The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party
John Green, An Abundance of Katherines
Sonya Hartnett, Surrender
Marcus Zusak, The Book Thief
Anderson's Octavian Nothing, Vol. 1: This is an extraordinary historical novel set during the American Revolution, with its title character not a rebel or a loyalist, but a slave. The story is told through diary entries and letters, all with a formal language that enhances the historical feel. Octavian's story is told in four parts, and that's how I consumed the novel. The first part was fascinating, as we see Octavian's childhood growing up as an experiment in a research college. He is taught Latin and Greek and music (and has his poop weighed every day), while his mother, an African princess, is treated like a lady. Of course he has a gradual discovery of what their slavery really means, especially after smallpox ravages the college and his mother dies in part two. Part three covers his escape to rebel forces, and part four his recapture. The depth of the character and story kept building with each part I finished, and I eagerly turned to Vol II. You'll have to wait for the 2009 reviews for that one, sorry. (Octavian Vol. 1 also won the National Book Award for Children's Literature.)
Green's An Abundance of Katherines: Green floored me with his dark Printz-winning debut, and I enjoyed his second novel just as much, although it had a completely different tone. Colin, the narrator, is a former child math prodigy who has been dumped by 19 girls named Katherine. The later dumping has occured after high-school graduation and Colin, afraid he will never demonstrate any genius again, goes on a road trip with his friend Hassan. They end up in Tennesee and take a job for a woman who owns a tampon-string factory, and Colin discovers mathematical formulae cannot substitute for (or explain) love. I loved the comic tone of the book, which used footnotes and other asides to enhance the humor, and although I'm not thrilled with Green's reliance on the manic pixie dream girl archetype, I really enjoyed the novel. The nerd jokes were right up my alley.
Hartnett's Surrender: This novel by an Australian author really floored me. I'm not sure how to describe it without ruining the story, because it's a psychological thriller that's more of a mystery than a pure thriller. At least I can give you the opening setup: a young man named Gabriel lies dying, wondering if his old childhood friend Finnegan will visit him before the end and bring his dog, Surrender. Years before, back when Gabriel was known as Anwell and was involved in a horrible tragedy, the two boys made a pact: Anwell/Gabriel would embody the good for the two boys, and Finnegan the bad. Now that human bones have been discovered in a forest nearby, however, things start to unravel, leading to a surprising and violent climax. The mystery was engaging and the resolution, and although it's the kind that gives more questions than answers, was very satisfying. It's a haunting book that stays with you.
Zusak's The Book Thief: Another gem of a book from Australia (and again much different than his previous Printz honoree), this story set in Nazi Germany and narrated by Death hit bestseller lists around the world. Death is fascinated by young Liesel, whom he first encounters when her young brother dies on a trip when the two siblings are being taken to live with foster parents. During the trip she steals her first book, a guide for gravediggers, and her new foster father teaches her to read using the book. She is soon stealing books from book burnings and the mayor's house, reading and writing being a way for her to cope with the increasingly difficult conditions under the Nazi regime. She has two other encounters with Death, who at the end notes "I am haunted by humans" like Liesel. Even if you think you have fatigue with WWII/Holocaust stories, this one is so powerful and hopeful—attesting to the eternal power of words—that I think you would enjoy it.
Yang's American Born Chinese: The winner this year was actually a graphic novel, a field that's always been popular with YAs, but only lately has branched out to broader topics. This novel is three related stories in one, beginning with the trouble young Jin Wang, son of Chinese immigrants, is having in assimilating into his American school. The second story builds on the Chinese folk character of the Monkey King, who in the book keeps accumulating power to prove he is more than just a monkey. The third story is presented like a television sitcom starring Danny, a blond American teen who keeps changing schools every time his Chinese cousin Chin-Kee, an amalgam of Asian stereotypes, comes to visit. As the novel bounces back and forth between the three stories, we see the connections as each character struggles to define their identities without denying their origins. I thought it was very cleverly presented, although I didn't find it that revelatory, being somewhat far removed from my own teenage struggle for identity (ie, old and irrelevant). I certainly can see why it's considered a groundbreaker in graphic novels for young people, although there has been great work in the genre for years. (American Born Chinese was also a National Book Award finalist, and won an Eisner Award for Best Graphic Album: New.)
So all in all, a superlative year for YA literature, and I would be hard pressed to choose a favorite among these books. I suppose it would depend on my mood, because there was something for my inner history, math, and book-loving geeks, and they're not very good at fighting it out.
Wednesday, December 8, 2010
Monday, December 6, 2010
Photo of the Week--12/6/10
In July 1999 we rented a car and drove around the northwest part of Ireland, and in County Galway we found this cute little castle, Aughnanure. It's not a huge complex, like you generally think of when you hear the word "castle," but rather a "tower house," a defensive structure that was designed to defend a key strategic location. There are a couple hundred of these "castles" in County Galway, and Aughnanure lies near Lough Corrib, the second largest lake in Ireland, and near enough to the city of Galway to be an important water supply. As you can see, the castle was in a bit of disrepair, although thankfully it was sturdy enough for us to climb the ruins. Because if you're going to visit a ruined castle, you should at least be able to climb around it like a bunch of monkeys and play hide and seek.
Wednesday, December 1, 2010
Fashion Math: When does 526 not equal 526?
I haven't been posting in the blog much lately, owing to a pressing deadline last week, another upcoming deadline in two weeks, and preparing for the holiday season. (Which in my family begins with Thanksgiving, an entire four-day weekend devoted to my two favorite sins, Gluttony and Sloth.) Being so busy might account for my pissy mood, but maybe it's because I haven't been venting my spleen on the blog. Lucky you! You're going to get a whole series of rants!
Today's rant concerns my most recent annoyance: stupid wracking-fracking-sacking women's clothing companies. I complained a couple of years ago about the frustrating phenomenon of vanity sizing, which makes it difficult to figure out what size to get when you're trying on clothes. I've lost 10-15 pounds since that original post, which is great, but it has made finding my size more difficult, as it's now the lowest women's size available in many stores. (I do not have junior hips, I gotta shop in misses.) When it comes to jeans, I have to try things on in different sizes, owing to cut, style, brand, etc. I was so happy when I found a jean that fit me perfectly, a Levi's 526 model. I got one pair of the single color they had in my size, and wished they had the other color, but oh well. When I returned to the store a couple months later, they now had corduroys in the 526 style. I tried them on, and they fit perfectly ... but they only had golden-brown, not the black I coveted, and of course the dark blue jeans still weren't available in my size. Grrrrr.
Then I saw a sign! Use our online kiosk for more colors and sizes! Shipping free! I toddled over and yes! Found the black! Found the oceana blue! Got them on sale, with a coupon, shipped right to my house! I was excited, until I tried them on. The black cords were great—fit just as perfectly as the others—but the dark blue jeans were a little tight. I washed them, thinking maybe the fabric was just stiff, but I ended up with a pair of jeans that went on like I was wearing a girdle. Dang, I thought, I got a bad one. Sometimes it happens, things get mis-sized or mislabeled. I would just have to go to the store, find my size, try it on, and then exchange.
I went to store number one. Of course, they didn't have my size in the dark blue jean. They didn't even have it in the light blue jean I already had. I went to the service counter with my sad story, and they offered to check the item with nearby branches. The one a couple miles south had not one but two in my size, so I thought I'd go try them on. At store number two, I grabbed both of my size, one in each color, and headed to the changing rooms. As I slid the dark blue ones over my legs, I got an uncomfortable feeling ... this time I could barely get the damn things around my hips, and forget about buttoning them! The light blue ones, however, fit perfectly. WTF? Being stubborn, I went out and got the next size up in the dark blue, along with two sizes of two other dark blue styles. Of course, the higher size of the 526 was too big in the waist (my usual hip-waist ratio problem), while the other models were cut differently and didn't fit in either size.
The other models not fitting doesn't bother me so much; of course different styles will have different cuts and different hip-waist ratios and other things which mean they won't fit me well, but some other woman will love them. But why oh why, dear Levi's, would you label two pairs of jeans with the same model number and not have them fit exactly the same? I could have understood it if there was a big difference between the cords and the denim, because the two fabrics have different weaves and give in different ways. But to have such a big difference between two pairs, both made of denim? I think you're deliberately trying to drive the American female crazy. At least, after chasing those stupid jeans around town, I feel crazy enough to throttle some fashion designer somewhere.
Today's rant concerns my most recent annoyance: stupid wracking-fracking-sacking women's clothing companies. I complained a couple of years ago about the frustrating phenomenon of vanity sizing, which makes it difficult to figure out what size to get when you're trying on clothes. I've lost 10-15 pounds since that original post, which is great, but it has made finding my size more difficult, as it's now the lowest women's size available in many stores. (I do not have junior hips, I gotta shop in misses.) When it comes to jeans, I have to try things on in different sizes, owing to cut, style, brand, etc. I was so happy when I found a jean that fit me perfectly, a Levi's 526 model. I got one pair of the single color they had in my size, and wished they had the other color, but oh well. When I returned to the store a couple months later, they now had corduroys in the 526 style. I tried them on, and they fit perfectly ... but they only had golden-brown, not the black I coveted, and of course the dark blue jeans still weren't available in my size. Grrrrr.
Then I saw a sign! Use our online kiosk for more colors and sizes! Shipping free! I toddled over and yes! Found the black! Found the oceana blue! Got them on sale, with a coupon, shipped right to my house! I was excited, until I tried them on. The black cords were great—fit just as perfectly as the others—but the dark blue jeans were a little tight. I washed them, thinking maybe the fabric was just stiff, but I ended up with a pair of jeans that went on like I was wearing a girdle. Dang, I thought, I got a bad one. Sometimes it happens, things get mis-sized or mislabeled. I would just have to go to the store, find my size, try it on, and then exchange.
I went to store number one. Of course, they didn't have my size in the dark blue jean. They didn't even have it in the light blue jean I already had. I went to the service counter with my sad story, and they offered to check the item with nearby branches. The one a couple miles south had not one but two in my size, so I thought I'd go try them on. At store number two, I grabbed both of my size, one in each color, and headed to the changing rooms. As I slid the dark blue ones over my legs, I got an uncomfortable feeling ... this time I could barely get the damn things around my hips, and forget about buttoning them! The light blue ones, however, fit perfectly. WTF? Being stubborn, I went out and got the next size up in the dark blue, along with two sizes of two other dark blue styles. Of course, the higher size of the 526 was too big in the waist (my usual hip-waist ratio problem), while the other models were cut differently and didn't fit in either size.
The other models not fitting doesn't bother me so much; of course different styles will have different cuts and different hip-waist ratios and other things which mean they won't fit me well, but some other woman will love them. But why oh why, dear Levi's, would you label two pairs of jeans with the same model number and not have them fit exactly the same? I could have understood it if there was a big difference between the cords and the denim, because the two fabrics have different weaves and give in different ways. But to have such a big difference between two pairs, both made of denim? I think you're deliberately trying to drive the American female crazy. At least, after chasing those stupid jeans around town, I feel crazy enough to throttle some fashion designer somewhere.
Monday, November 29, 2010
Photo of the Week--11/29/10
I chose this picture of the Palais de Chaillot, on the site of the former Trocadero Palace, because I liked how wild the fountains were. We were there on a sunny spring day, but it wasn't that warm, so I don't know why they had the large fountains spewing mist all over everything. It still made for a pretty picture ... although that didn't require much skill, as most pictures taken in Paris are pretty.
Monday, November 22, 2010
Photo of the Week--11/22/10
Barcelona, what a beautiful city! Many of its sights were designed by the architect Antonio Gaudí, including the extraordinary cathedral known as the Sagrada Familia ("Holy Family"). Even from a distance, it's a striking sight, with its conical towers reaching into the sky. I took this close-up because I was fascinated by the detail work, which covers the entire building. I especially liked the colors of the stained glass.
Monday, November 15, 2010
Photo of the Week--11/15/10
One of the things I loved about visiting Malta was the variety of buildings and sites on this Mediterranean island. This is the UNESCO World Heritage Site of Mnajdra, a megalithic temple complex that dates to sometime around 3500 BC. We weren't there for an equinox to witness the sun lighting up one specific doorway, or for a solstice, when the sun lights up flanking megaliths, but we could climb around the complex, see the limestone megaliths and benches, and otherwise envision the place in its original setting. You can see there isn't any visitor center, or guard rails, or anything else to get in the way of the imagination—at least, there wasn't in 1999, when we visited. Now, I believe there is a tent to prevent further erosion, and guard ropes to direct tourist traffic. But when we visited we were the only ones there, and it was easy to imagine yourself in the middle of an ancient culture.
Thursday, November 11, 2010
The Printz Award Winners: 2006
The pace of fall hasn't slowed any, but I have with a twisted ankle ... meaning instead of running, walking, or TKD I've been using the exercise bike. I can read while I bike, and I've made it through the books from 2006 that "exemplify literary excellence in young adult literature," according to the American Library Association.
Winner:
John Green, Looking for Alaska
Honor books:
Margo Lanagan, Black Juice
Marilyn Nelson, A Wreath for Emmett Till
Elizabeth Partridge, John Lennon: All I Want Is the Truth, a Photographic Biography
Markus Zusak, I Am the Messenger
Lanagan's Black Juice: This collection of short stories from an Australian writer was trippy, wild, imaginative, and right up my alley. The author used all different kinds of fantastic settings, but only one was what you might think of as traditional fantasy, with a medieval-type setup. Sometimes it took a little patience to figure out the setting—one was futuristic punk, one seemed an African or aboriginal setting, one I didn't know how to describe—but they were all worth it. Lanagan creates snapshots of wildly different worlds, all with something interesting and powerfully moving at the center. I gobbled this book up very quickly. (Black Juice also won two World Fantasy Awards, for best collection and best short story for "Singing My Sister Down.")
A Wreath for Emmett Till: I'd heard of this book before, and was familiar with the subject—the fourteen-year-old African American boy who was murdered in Mississippi in 1955—but I didn't know that Nelson's book was actually a cycle of 15 interlinked sonnets, a form called a heroic crown. The last line of the first sonnet made up the first line of the second sonnet, etc etc, until the 15th sonnet, which is made up of the first lines of the previous fourteen. The format itself is impressive—especially when you see the first lines of the last sonnet spell out "RIP Emmett Till"—but the poetry is just as exhilarating. She uses imagery from popular culture, mythology, and history; links the hate of lynching to the attacks of 9/11, imagining a grown up Till becoming a hero in the towers; and calls for an end to hate. I read the book through once, then again with the notes the author includes at the end, explaining some of her references, and was thoroughly impressed. This book should be read not just by kids who need to understand the civil rights era, but by kids who don't think they like poetry. It's a wonderful, wonderful book, and the first thing I wanted to do after finishing it was share it with someone else. (A Wreath for Emmett Till also won a Coretta Scott King Honor citation from the ALA.)
Partridge's John Lennon: this heavily illustrated biography was one of the books that has led a renaissance of sorts in nonfiction for kids, as it seems lately there is at least one nonfiction book (if not more) that scores a major honors every year. And this is a very appealing book, liberally supplied with photos, that tells the story of Lennon's life from the time he was born until his murder in 1980. As someone who writes a lot of nonfiction, I really admire Partridge's judicious use of historical context, giving us just enough history to understand the events in Lennon's life without interrupting the flow of the story. The structure is simple, the pacing quick, and the subject compelling, making for a good read for any age.
Zusak's I Am the Messenger: this novel by an Australian novelist felt more like what they're now calling "new adult" literature rather than "young adult," as the main character, Ed, is out of high school and struggling to find purpose in his life. Chance seemingly sets him on a new path when he inadvertently thwarts a bank robbery, leading someone to send him playing cards in the mail with strange messages. The cards set Ed a series of tasks in which he is to help people, sometimes by directly intervening in their lives and sometimes just taking small actions that send a powerful message. Ed is an interesting character, and his struggle was compelling reading, but as the novel progressed and he learned more about who was sending him the cards, I found the story taking a metafictional turn that I found irritating. It was an entertaining read, but left me slightly unsatisfied at the end. (I Am the Messenger also won the Children’s Book Council of Australia Book of the Year Award.)
Green's Looking for Alaska: This novel, I think, was another game-changer in YA fiction, for its frank depiction of teenage "misbehavior." At the very least it introduced an incredible new voice in the genre. The "Alaska" of the title is not the state, but a girl that Miles "Pudge" Halter meets soon after starting classes at an Alabama boarding school. Alaska is wild and mysterious and Pudge is soon head over heels ... but the relationship doesn't last (because of a twist I won't reveal), and he and his friends are left trying to piece together why. The book has often been challenged by censors for its portrayal of teenage sex, smoking, cursing, and drinking—but none of these behaviors are gratuitous, and we see the consequences of the characters' poor choices, so these elements only strengthen the emotional honesty and power of the novel. I read this novel last year, and quickly sought out Green's other books.
So how might I have voted among this books? I have to say that I thought this year's finalists the strongest across the board since the first year of the Printz Award, and it would have been a hard decision. But I think Alaska is likely to be the longest lasting of the bunch, so I think I would have had to agree with the panel.
Can I manage to get to 2007 by the end of the month? I'm certainly going to try ... only four years of the award left to cover, and I'd like to get there by the end of the year.
Winner:
John Green, Looking for Alaska
Honor books:
Margo Lanagan, Black Juice
Marilyn Nelson, A Wreath for Emmett Till
Elizabeth Partridge, John Lennon: All I Want Is the Truth, a Photographic Biography
Markus Zusak, I Am the Messenger
Lanagan's Black Juice: This collection of short stories from an Australian writer was trippy, wild, imaginative, and right up my alley. The author used all different kinds of fantastic settings, but only one was what you might think of as traditional fantasy, with a medieval-type setup. Sometimes it took a little patience to figure out the setting—one was futuristic punk, one seemed an African or aboriginal setting, one I didn't know how to describe—but they were all worth it. Lanagan creates snapshots of wildly different worlds, all with something interesting and powerfully moving at the center. I gobbled this book up very quickly. (Black Juice also won two World Fantasy Awards, for best collection and best short story for "Singing My Sister Down.")
A Wreath for Emmett Till: I'd heard of this book before, and was familiar with the subject—the fourteen-year-old African American boy who was murdered in Mississippi in 1955—but I didn't know that Nelson's book was actually a cycle of 15 interlinked sonnets, a form called a heroic crown. The last line of the first sonnet made up the first line of the second sonnet, etc etc, until the 15th sonnet, which is made up of the first lines of the previous fourteen. The format itself is impressive—especially when you see the first lines of the last sonnet spell out "RIP Emmett Till"—but the poetry is just as exhilarating. She uses imagery from popular culture, mythology, and history; links the hate of lynching to the attacks of 9/11, imagining a grown up Till becoming a hero in the towers; and calls for an end to hate. I read the book through once, then again with the notes the author includes at the end, explaining some of her references, and was thoroughly impressed. This book should be read not just by kids who need to understand the civil rights era, but by kids who don't think they like poetry. It's a wonderful, wonderful book, and the first thing I wanted to do after finishing it was share it with someone else. (A Wreath for Emmett Till also won a Coretta Scott King Honor citation from the ALA.)
Partridge's John Lennon: this heavily illustrated biography was one of the books that has led a renaissance of sorts in nonfiction for kids, as it seems lately there is at least one nonfiction book (if not more) that scores a major honors every year. And this is a very appealing book, liberally supplied with photos, that tells the story of Lennon's life from the time he was born until his murder in 1980. As someone who writes a lot of nonfiction, I really admire Partridge's judicious use of historical context, giving us just enough history to understand the events in Lennon's life without interrupting the flow of the story. The structure is simple, the pacing quick, and the subject compelling, making for a good read for any age.
Zusak's I Am the Messenger: this novel by an Australian novelist felt more like what they're now calling "new adult" literature rather than "young adult," as the main character, Ed, is out of high school and struggling to find purpose in his life. Chance seemingly sets him on a new path when he inadvertently thwarts a bank robbery, leading someone to send him playing cards in the mail with strange messages. The cards set Ed a series of tasks in which he is to help people, sometimes by directly intervening in their lives and sometimes just taking small actions that send a powerful message. Ed is an interesting character, and his struggle was compelling reading, but as the novel progressed and he learned more about who was sending him the cards, I found the story taking a metafictional turn that I found irritating. It was an entertaining read, but left me slightly unsatisfied at the end. (I Am the Messenger also won the Children’s Book Council of Australia Book of the Year Award.)
Green's Looking for Alaska: This novel, I think, was another game-changer in YA fiction, for its frank depiction of teenage "misbehavior." At the very least it introduced an incredible new voice in the genre. The "Alaska" of the title is not the state, but a girl that Miles "Pudge" Halter meets soon after starting classes at an Alabama boarding school. Alaska is wild and mysterious and Pudge is soon head over heels ... but the relationship doesn't last (because of a twist I won't reveal), and he and his friends are left trying to piece together why. The book has often been challenged by censors for its portrayal of teenage sex, smoking, cursing, and drinking—but none of these behaviors are gratuitous, and we see the consequences of the characters' poor choices, so these elements only strengthen the emotional honesty and power of the novel. I read this novel last year, and quickly sought out Green's other books.
So how might I have voted among this books? I have to say that I thought this year's finalists the strongest across the board since the first year of the Printz Award, and it would have been a hard decision. But I think Alaska is likely to be the longest lasting of the bunch, so I think I would have had to agree with the panel.
Can I manage to get to 2007 by the end of the month? I'm certainly going to try ... only four years of the award left to cover, and I'd like to get there by the end of the year.
Subscribe to:
Posts (Atom)



