To begin my review of the various sequels to Emma, it's only appropriate I start with this one penned by Austen's own great-great-great-grandniece. A Visit to Highbury is subtitled "another view of Emma," and that's exactly what this provides, retelling the story from the point of view of Mrs. Goddard, who runs the school that Harriet Smith attends. The novel is epistolary, meaning it is told entirely in letters, which can provide charm but also have limitations.
Because Mary Goddard is well outside Emma's inner circle—she is the one left keeping Mr. Woodhouse company when Emma goes off to parties without him—her view of the novel's events is fairly tangential. But she speculates and passes along gossip in letters to her sister Charlotte Pinkney, who is living in London with her new husband and wondering if she has made the right decision in marrying him. In her letters back to Mary, she clamors for more gossip, looking for ways to entertain herself because her husband treats her as merely a housekeeper. Mary complies, speculating about the mysteries of why Mr. Elton has suddenly run off to Bath, who gave Jane Fairfax a piano, and why Frank Churchill has stayed away from Highbury so long. She also admonishes the tart-tongued Charlotte to be more dutiful and open towards her husband.
In Charlotte's letters, we get a few outside views of events, as the Pinkneys share an apothecary with John and Isabella Knightley, and on a trip to Bath they encounter the future Mrs. Elton and her family. Mostly, however, Charlotte Pinkney writes of her growing accommodation with her husband and their new friendship with a young girl who is being mistreated at the girls' school next door. She claims their sympathy by being the daughter of a missing naval officer and by sharing the name of Charlotte, and gains their friendship because of her sweet nature. As the elder Charlotte makes small overtures to Mr. Pinkney on the younger one's behalf, she discovers there is more depth to him than she had bothered to notice, and they grow closer. Mrs. Pinkney even shares the mysteries of Highbury with her husband, who has some very perspicacious theories.
The novel concludes with several happy endings: besides the three matches in Austen's Emma, we get one for the young Charlotte, whose father reappears and can bless her match with a young naval officer. We also get true love between Mrs. Pinkney and her husband, an expected baby, and—most desired throughout the book—an upcoming visit between the two sisters, which brings an end to their letters.
I found this a charming little novel, approaching Austen in tone and wit and giving a little embroidery to the events of Emma. Mrs. Pinkney is open enough in her letters to make her an interesting character, while the gently chiding Mrs. Goddard keeps a bit of the formal flavor of an Austen novel. If you're the kind of Austen fan who hates to see people take liberties with the original characters, this is the kind of "sequel" for you.
Thursday, June 23, 2011
Monday, June 20, 2011
Photo of the Week--6/20/11
I love it when historical places, like the city of Carcasonne in France, can spare a little corner to let visitors play pretend and live a little history. Carcasonne is an old-fashioned walled city and you can really be transported back in time as you walk the cobbled streets and see the fog move against the walls. And when you can look out of an old-fashioned fortress door and pretend to shut Mom out, well, that's the best!
Wednesday, June 15, 2011
Janespotting: Clueless
So about the same time the Austen film renaissance began in the mid-1990s appeared this teenage comedy from writer-director Amy Heckerling, starring Alicia Silverstone as a privileged California teen. Not all reviews acknowledged it (and it wasn't in the credits), but Heckerling freely admitted she stole liberally from the plot of Emma for her film. Standing in place of Emma is Cher: a pampered rich girl who is queen of her high school but is not interested in high school boys, whom she considers "dogs." She skates along on charm, wrapping her daddy around her finger, and when she can't get her cranky debate teacher to change her grade, she tries to fix him up with history teacher. With a little makeover from Cher, the ruse works, cheering her teacher and boosting her grade. Looking on with disapproval—and standing in for Mr. Knightley—is Cher's stepbrother Josh, a college student she calls "granola breath" who is always chastising her for her shallow selfishness.
Feeling cheered by her good deed in matching her teachers, Cher adopts the new girl/Harriet Smith-analog Tai, who is kinda grungy and attracted to a slacker student. Cher and her best friend make Tai over, then try to set her up with classmate Elton, who admires a picture of Tai Cher has taken. As in the original, Elton is admiring the artist, not the subject, and when the three go to a party he engineers giving Cher a ride home, makes a move on her, then shows he is too snobby to be interested in Tai. After Cher ditches him, she gets robbed and has Josh come rescue her. Cher shows she has a bit of a brain by correcting Josh's obnoxious girlfriend, who is misquoting Hamlet.
The Frank Churchill role is filled by a new boy at school named Christian. He has a rat pack vibe and Cher is interested in a date although it's clear to the audience he is gay. (This neatly avoids too many characters by cancelling the need for a Jane Fairfax analog.) They take Tai to a party with Josh's friends, where Josh dances with Tai because she looks lonely. Tai is rescued again while shopping with Cher, when Christian rescues her from some pranking boys. Tai's story makes her popular, to Cher's detriment, and things go downhill as Josh criticizes her again and she flunks her driving test.
Making things worse is Tai's request that Cher help her charm Josh, when Cher thought she wanted Christian. Being no demure Harriet, Tai calls Cher "a virgin who can't drive" when Cher hesitates and the two quarrel. Just as Emma suddenly discovered her feelings for Mr. Knightley, Cher has a sudden realization she wants to be with Josh. She doesn't know how to act around him, so she undertakes a "makeover for the soul" by organizing disaster relief. She also makes up with Tai and encourages her to pursue the slacker boy. The denouement travels far from Austen, as there's no question of Josh's Knightley-analog being in love with someone else. With all the bickering between the two, however, it's not clear he knows his own feelings, so instead Heckerling shows the two working on research for her dad's court case. When another lawyer chides Cher for screwing up, Josh comforts her and they confess their feelings—and we have a cute rom-com ending.
Although "Clueless" is built on the skeleton of Austen's plot for Emma, it's totally a typical teen comedy of the time. There is partying and drinking, an emphasis on brand names and fashion (even satirically so), and practically invisible adults. And yet, the dialogue is a cut above what you might expect from a teen comedy, with lots of big words; one character even comments, "Wow, you guys talk like grownups." The reply: "Well, this is a really good school."
As a teen comedy Clueless is fun—especially with Silverstone's charming portrayal of Cher—and maybe a little deeper than the usual raunchy teen flick. As an Austen adaptation, it's an interesting curiosity, showing how many of Austen's themes and even character types are timeless.
Feeling cheered by her good deed in matching her teachers, Cher adopts the new girl/Harriet Smith-analog Tai, who is kinda grungy and attracted to a slacker student. Cher and her best friend make Tai over, then try to set her up with classmate Elton, who admires a picture of Tai Cher has taken. As in the original, Elton is admiring the artist, not the subject, and when the three go to a party he engineers giving Cher a ride home, makes a move on her, then shows he is too snobby to be interested in Tai. After Cher ditches him, she gets robbed and has Josh come rescue her. Cher shows she has a bit of a brain by correcting Josh's obnoxious girlfriend, who is misquoting Hamlet.
The Frank Churchill role is filled by a new boy at school named Christian. He has a rat pack vibe and Cher is interested in a date although it's clear to the audience he is gay. (This neatly avoids too many characters by cancelling the need for a Jane Fairfax analog.) They take Tai to a party with Josh's friends, where Josh dances with Tai because she looks lonely. Tai is rescued again while shopping with Cher, when Christian rescues her from some pranking boys. Tai's story makes her popular, to Cher's detriment, and things go downhill as Josh criticizes her again and she flunks her driving test.
Making things worse is Tai's request that Cher help her charm Josh, when Cher thought she wanted Christian. Being no demure Harriet, Tai calls Cher "a virgin who can't drive" when Cher hesitates and the two quarrel. Just as Emma suddenly discovered her feelings for Mr. Knightley, Cher has a sudden realization she wants to be with Josh. She doesn't know how to act around him, so she undertakes a "makeover for the soul" by organizing disaster relief. She also makes up with Tai and encourages her to pursue the slacker boy. The denouement travels far from Austen, as there's no question of Josh's Knightley-analog being in love with someone else. With all the bickering between the two, however, it's not clear he knows his own feelings, so instead Heckerling shows the two working on research for her dad's court case. When another lawyer chides Cher for screwing up, Josh comforts her and they confess their feelings—and we have a cute rom-com ending.
Although "Clueless" is built on the skeleton of Austen's plot for Emma, it's totally a typical teen comedy of the time. There is partying and drinking, an emphasis on brand names and fashion (even satirically so), and practically invisible adults. And yet, the dialogue is a cut above what you might expect from a teen comedy, with lots of big words; one character even comments, "Wow, you guys talk like grownups." The reply: "Well, this is a really good school."
As a teen comedy Clueless is fun—especially with Silverstone's charming portrayal of Cher—and maybe a little deeper than the usual raunchy teen flick. As an Austen adaptation, it's an interesting curiosity, showing how many of Austen's themes and even character types are timeless.
Monday, June 13, 2011
Photo of the Week--6/13/11
Now that's what I call a castle--hewn into the very living rock of the Welsh countryside. Caerphilly is the largest castle in Wales and the second largest in Britain (after Windsor Castle, the queen is number one in everything). It was built in the 13th century and has everything you look for in a castle: a huge moat, tall towers, and a little bit of ruins to give it character. I'd certainly rather be defending it than assaulting it, that's for sure.
Wednesday, June 8, 2011
I'm glad ...
... there haven't been any complaints about my lack of blog posts lately. I have been busy, and complaining might make me angry. You wouldn't like me when I'm so angry I'm blind with rage:
Monday, June 6, 2011
Photo of the Week--6/6/11
Madrid is a city that knows how to light its landmarks. Ironically enough, this is the Fuente del Sol ("Fountain of the Sun," but it sure looks great at night!
Tuesday, May 31, 2011
Photo of the Week--5/30/11
Now that's what I call an airport with a view. It's a very small airport on Gibraltar, but I bet it's easy enough for pilots to find, being at the very southernmost tip of Europe with a giant rock at the end of the runway. Spending four years overseas and taking advantage of to travel, we certainly saw a lot of different airports, and this was one of our favorites.
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