Anyway, I noticed a few weeks ago that both cats were spending a lot of time lying on the floor a few feet from my desk, so I bought this little cat condo to make them more comfortable. Clio immediately started colonizing it, and now spends quite a bit of time there every day within easy reach of petting. Gigi isn't so forward, but she likes to sneak into the bottom hidey-hole, the better to strike at Clio when she isn't watching. You can see by her narrowed eyes that she was getting ready to attack—or would have if I hadn't stopped her. Silly cats.
Friday, June 11, 2010
Webster's defines bellicose as "favoring or inclined to start quarrels or wars," and the word certainly fits when talking about these two felines. Clio (the fat orange cat) is top cat, by virtue of her larger size and reach. Gigi (the plump grey cat) would like to be top cat, and often sneaks up on Clio, instigating fights in hopes of finally coming out the winner. She doesn't give up, even if she just lost the other day. (It reminds me of when I was a high school junior, lost out on first chair in band, and kept challenging to get it back every week. Stupid braces.)
Tuesday, June 8, 2010
I wasn't sure I was going to be able to get my hands on this earliest adaptation of Mansfield Park, but I decided to give Netflix a try and see how many of these oldies I could get within the one-month trial membership. This BBC production is an extremely faithful version of Austen's novel, told over six one-hour episodes. With early 1980s production values, however, might not necessarily be a good thing.
The plot certainly didn't veer far from the original novel. We see Fanny introduced to Mansfield Park, her growing friendship with Edmund, and the changes wrought by the arrival of the Crawfords. All the little amusing details are there, including how Aunt Norris initiated Fanny's arrival but claimed she never intended to raise her herself; the ridiculousness of Maria's fiance Mr. Rushworth (and his 42 speeches); Fanny's return to Portsmouth and how she makes things quieter by buying her younger sister a pair of silver scissors. Unfortunately, all the tedious and boring details are there as well, but without the benefit of footnotes to explain for the viewer. Honestly, you'd think that the screenwriter transposing the scene where the young people discuss which parts they should portray in the drama Lover's Vow might intersperse one line here or there so that we understand what it means for Maria and Julia to battle over playing Agatha. There's nothing, though, so the five-minute discussion of a play few modern viewers know is tedious beyond belief. There are similar slow spots, not helped at all by the era's avoidance of musical scoring except in transitions.
Still, the scenery and costumes were fine, and the acting was uniformly good. I recognized few of the actors, most of whom have gone on to long careers in British television and film. (The one exception: the actress playing Maria Bertram, Samantha Bond, played Miss Moneypenny in the various Pierce Brosnan-starring James Bond films.) The actress playing Fanny, Sylvestra Le Touzel, might have been made up a little more plainly than I would have liked (Sir Thomas remarks on his return she is uncommonly improved), but she captured Fanny's quiet steadfastness. The actress playing Lady Bertram was a hoot, and the actor playing Edward was pleasant enough.
My main dissatisfaction with this version, aside from the slow spots, was in the romantic conclusion of the film. There it had to vary from the original, for as I wrote in my review, Austen shows nothing of Fanny and Edmund's declaration of their love for each other. She merely says that "he was very steadily earnest in the pursuit of the blessing [of her hand in marriage], and it was not possible that encouragement from her should be long wanting." Given that setup, why not show Edmund being steadily earnest, or Fanny "receiving the assurance of that affection of which she [had] scarcely allowed herself to entertain a hope." Nope. In a major change from the book, where Fanny and Edmund witness Mary Crawford's shocking nonchalance towards Maria's affair firsthand, Edmund instead tells Fanny of Mary's faulty moral understanding and tells her he is glad she is there to listen. Fanny replies that she shall always be there, and that's that. No declaration of feelings. No proposal. No fun!
So overall, a pleasant-enough version of the story, and a good object lesson on why it's sometimes good to deviate from the novel to write your script. This will not be the case for the next version I'll be reviewing, but you'll see more on that later.
Monday, June 7, 2010
Not many pigeons in Gibraltar in January, but there were plenty of the famous and misnamed Barbary Apes, which are actually monkeys, specifically macaques. As you can see, they are not afraid of humans at all, so we got quite a few shots up close—but not too close, for safety's sake. We didn't try chasing them, since that's not the safest thing to do and besides, they were more liable to chase you. I wish I could have gotten a shot as we were walking from the top of the rock, where several of the monkeys were riding atop a van ... maybe they thought we were the vermin who needed to be chased out of the picture!