What do the following things have in common:
the influential architect who virtually defined the modernist and postmodernist movements of the 20th century
the screenwriters who wrote Aladdin, Shrek, and all three Pirates of the Caribbean movies
the artist who became famous for nailing shoes and old tires and all sorts of junk to houses
the writer who created Conan the Barbarian (who will be bahk, but not with Ah-nold)
the Music Boosters' Craft Fair
the SCBWI-MI website
Give up? Because of them, I have no time to write anything of substance on the blog for the rest of the week. See you on Monday with a new photo.
Thursday, February 26, 2009
Tuesday, February 24, 2009
Janespotting: Oh, Mr. Darcy! (P&P 1995 miniseries)
That's right, ladies, it's time to fetch your fainting couches: I'm writing about the 1995 BBC/A&E miniseries of Pride and Prejudice, starring Jennifer Ehle and (sigh!) Colin Firth. This is the version that is almost universally beloved, and for good reason. At five hours, it has the time to be completely faithful to the novel. All the characters we love are there, fully developed, and in some cases we see a little more that is in the novel.* Luckily, the writing is faithful to Austen's wit, too, and the pacing is so good that it is really difficult to stop watching once you start. Looking at where they placed the breaks for the miniseries, originally broadcast in six parts, provides a great lesson on pacing and cliffhangers:
1: Lizzy and Jane leave Netherfield; Mr. Bingley could be in love with Jane
2: Lizzy refuses the proposal of Mr. Collins, upsetting her mother
3: Lizzy refuses Mr. Darcy—she didn't even know he was in love with her!
4: Lizzy leaves Pemberley after seeing Darcy again—could he still love her?
5: Lydia's scandal is resolved, but Lizzy worries that Mr. Darcy might still think ill of her
6: Happily married, Lizzy and Mr. Darcy kiss (swoon!)
Of course, we wouldn't be sucked into the story so completely if we didn't fall in love with the characters. Brilliant perfomances abound; even the minor characters have been cast with care. Jennifer Ehle is a charming, witty Lizzy; even when she isn't speaking, her eyes sparkle. (Since Darcy's first admission to finding her interesting is in contemplating her "fine eyes," this is more important than it sounds.)
The performance that makes this the definitive Pride and Prejudice, however, is that of Colin Firth as Mr. Darcy. It is Darcy's character, after all, who makes the greatest journey: from arrogant indifference to thwarted lover to earnest friend. Firth makes this change evident; what is more remarkable is that he does it without very much dialogue. He doesn't say much, instead managing show Darcy's subtle changes through a pointed look, a slight smile, a raised eyebrow. Of course, it doesn't hurt that Colin Firth is totally dreamy, tall, dark, and handsome.** For many people, Firth is irrevocably connected with the character—just ask Helen Fielding, whose Bridget Jones's Diary, loosely based on Pride and Prejudice, made him the focus of Bridget's obsession. (This connection hasn't hurt his career, as he's gone on to appear and star in many big films, including The English Patient, Shakespeare in Love, Mamma Mia, and, most ironically, as Mark Darcy in the aforementioned Bridget Jones's Diary.)
For anyone who loves Austen, period drama, romance, or just plain good storytelling, you could do worse than sit down with a bottle of wine, a box of chocolates, and the DVD of this miniseries of Pride and Prejudice.
*You'll notice that while purists complain about other versions that leave out characters or subplots or change the details of the setting a little bit, you never hear someone say, "Mr. Darcy never would have dived into a lake and appeared in a wet shirt—they should have left that bit out."
**See above regarding the bathing and fencing scenes.
1: Lizzy and Jane leave Netherfield; Mr. Bingley could be in love with Jane
2: Lizzy refuses the proposal of Mr. Collins, upsetting her mother
3: Lizzy refuses Mr. Darcy—she didn't even know he was in love with her!
4: Lizzy leaves Pemberley after seeing Darcy again—could he still love her?
5: Lydia's scandal is resolved, but Lizzy worries that Mr. Darcy might still think ill of her
6: Happily married, Lizzy and Mr. Darcy kiss (swoon!)
Of course, we wouldn't be sucked into the story so completely if we didn't fall in love with the characters. Brilliant perfomances abound; even the minor characters have been cast with care. Jennifer Ehle is a charming, witty Lizzy; even when she isn't speaking, her eyes sparkle. (Since Darcy's first admission to finding her interesting is in contemplating her "fine eyes," this is more important than it sounds.)
The performance that makes this the definitive Pride and Prejudice, however, is that of Colin Firth as Mr. Darcy. It is Darcy's character, after all, who makes the greatest journey: from arrogant indifference to thwarted lover to earnest friend. Firth makes this change evident; what is more remarkable is that he does it without very much dialogue. He doesn't say much, instead managing show Darcy's subtle changes through a pointed look, a slight smile, a raised eyebrow. Of course, it doesn't hurt that Colin Firth is totally dreamy, tall, dark, and handsome.** For many people, Firth is irrevocably connected with the character—just ask Helen Fielding, whose Bridget Jones's Diary, loosely based on Pride and Prejudice, made him the focus of Bridget's obsession. (This connection hasn't hurt his career, as he's gone on to appear and star in many big films, including The English Patient, Shakespeare in Love, Mamma Mia, and, most ironically, as Mark Darcy in the aforementioned Bridget Jones's Diary.)
For anyone who loves Austen, period drama, romance, or just plain good storytelling, you could do worse than sit down with a bottle of wine, a box of chocolates, and the DVD of this miniseries of Pride and Prejudice.
*You'll notice that while purists complain about other versions that leave out characters or subplots or change the details of the setting a little bit, you never hear someone say, "Mr. Darcy never would have dived into a lake and appeared in a wet shirt—they should have left that bit out."
**See above regarding the bathing and fencing scenes.
Monday, February 23, 2009
Photo of the Week--2/16/09
You can tell I'm starved for color in the landscape, because I couldn't resist posting this photo. I took it outside the Bishop's Castle in Wells, England, one November. A little bit of old building, some moving water, a little bit of fall color, lots of trees ... I wish I were there now (the time as well as the place), sitting on the grass doing not much of nothing.Friday, February 20, 2009
The Word Nerd Sez: J is for ...
juxtapose
Who couldn't love a word with so many funky letters in it? Look at the potential Scrabble score:
(And don't tell me it's too long for Scrabble; if you leave "POSE" open and I have letters and room, I can totally score 25 points on it, plus bonuses.) Plus, it's a word someone crabbed together from two languages: "juxta," from the Latin for "near," and "pose" (or "position") from the English. It means to place two or more things side by side, most often for purposes of comparing and contrasting. It's an essential tool to the nonfiction writer, I believe. When I'm surveying critical reaction to someone's work, I often find it useful to juxtapose positive and negative reviews. I think it gives a broad idea of what critics think, but it also gives a subtle message: take what critics think with a grain of salt; read/look/listen and judge for yourself.
One last cool thing about juxtapose/juxtaposition, I discovered this morning: it's the last word in the J section of my old Webster's Dictionary. That really makes me want to look up the last word in every section, but I have work to get back to. Darn!
*Thanks to Pholph's Scrabble Generator: What is your score? Get it here.
Who couldn't love a word with so many funky letters in it? Look at the potential Scrabble score:
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() * |
(And don't tell me it's too long for Scrabble; if you leave "POSE" open and I have letters and room, I can totally score 25 points on it, plus bonuses.) Plus, it's a word someone crabbed together from two languages: "juxta," from the Latin for "near," and "pose" (or "position") from the English. It means to place two or more things side by side, most often for purposes of comparing and contrasting. It's an essential tool to the nonfiction writer, I believe. When I'm surveying critical reaction to someone's work, I often find it useful to juxtapose positive and negative reviews. I think it gives a broad idea of what critics think, but it also gives a subtle message: take what critics think with a grain of salt; read/look/listen and judge for yourself.
One last cool thing about juxtapose/juxtaposition, I discovered this morning: it's the last word in the J section of my old Webster's Dictionary. That really makes me want to look up the last word in every section, but I have work to get back to. Darn!
*Thanks to Pholph's Scrabble Generator: What is your score? Get it here.
Thursday, February 19, 2009
Come pick me up ...
... okay, I haven't landed yet after seeing Ben Folds in concert last night. (He is my favorite recording artist, and if you hear my cell phone ring that's him singing.) First of all, he puts on a great show, totally rocking out on the piano. Second, I took Boy to the concert and for once I could sing along with the music without complaints from the peanut gallery. Usually I am told I am embarrassing myself (and him, of course, that's a given), but last night I wasn't the only one singing along. It was an interesting mix last night at the Michigan Theater; lots of college kids, of course, but I saw a few kids younger than Boy, and quite a few fans older than myself.
It's interesting to consider the songs that an artist picks to perform in concert. You always hear a lot from the new album, and last night was no exception: eight songs, plus two variations coming from an upcoming release of remixes. Interesting, though: no songs at all from his penultimate album, but three from his first ... and none of the radio hits that helped him break through in the 1990s. People often call out suggestions during his concerts, and he often riffs on that, making jokes about being a "wind-up automaton." I think a lot depends on the backup band; two years ago he only had a drummer and bassist, but this year he added a couple extra percussionist/keyboard/all-purpose musicians, and it made for a different sound. I was fine with that; he played my favorite song and a couple of Boy's favorite songs, and even had a whole section of the show where he played "waltzes" (ie, 3/4 time) solo on the piano. Since I'm freaky enough to build a whole playlist on iTunes of just songs in 3/4 time, I ate that up.
One last thought: how hard must it be to serve as the warmup band? No one's heard of you, they're all waiting for the main act, they talk while you sing, and they're glad when you're done. Rough gig, that. Still, they get to see the main act perform every night, so maybe it's worth it.
If you want a sampling of what we heard last night (warning, one song has R-rated language; the title gives it away), you can try this awesome little gadget below. You might recognize one song that appeared on "Grey's Anatomy" a few weeks ago; in any case, it's an interesting assortment to sample.
It's interesting to consider the songs that an artist picks to perform in concert. You always hear a lot from the new album, and last night was no exception: eight songs, plus two variations coming from an upcoming release of remixes. Interesting, though: no songs at all from his penultimate album, but three from his first ... and none of the radio hits that helped him break through in the 1990s. People often call out suggestions during his concerts, and he often riffs on that, making jokes about being a "wind-up automaton." I think a lot depends on the backup band; two years ago he only had a drummer and bassist, but this year he added a couple extra percussionist/keyboard/all-purpose musicians, and it made for a different sound. I was fine with that; he played my favorite song and a couple of Boy's favorite songs, and even had a whole section of the show where he played "waltzes" (ie, 3/4 time) solo on the piano. Since I'm freaky enough to build a whole playlist on iTunes of just songs in 3/4 time, I ate that up.
One last thought: how hard must it be to serve as the warmup band? No one's heard of you, they're all waiting for the main act, they talk while you sing, and they're glad when you're done. Rough gig, that. Still, they get to see the main act perform every night, so maybe it's worth it.
If you want a sampling of what we heard last night (warning, one song has R-rated language; the title gives it away), you can try this awesome little gadget below. You might recognize one song that appeared on "Grey's Anatomy" a few weeks ago; in any case, it's an interesting assortment to sample.
Tuesday, February 17, 2009
In praise of blueberries....
I'd thought of several things to write about today: the letter J, how I have too many things to do this month, how I might go stark raving MAD if the weather doesn't get warmer, how irritating it is when someone makes an appointment with you and then doesn't show up or even call, how the cats are trying to sabotage me ... but I got distracted. Right now, I can only think of one thing:
How did I ever not love blueberries?
They're sweet with just the right hint of tartness. They're firm and round and squish with a burst of flavor when you crunch them between your teeth. They're tasty raw and fresh, and they're just as tasty baked into something warm that makes the house smell great when you bake it.
When I was younger, I wasn't a fan of blueberries. I wouldn't spit them out and gag, but I wouldn't seek them out, either. If I had a choice at Thankgiving, I'd pick apple or pumpkin or maybe even peach before I'd take a slice of blueberry pie. I'd go picking with my grandparents, and while they threatened to weigh my grandpa before and after entering the blueberry patch, those fresh berries would be safe from me.
With age comes wisdom, I suppose. (Getting older is good for something, at least!) Now I love blueberries any way I can get them: dried in my cereal, frozen and then nuked with my oatmeal, fresh by themselves, baked in pies, crisps, cakes. When I go to the store in the depths of winter and see a big old pound box of fresh blueberries staring at me, I forget all about global footprints and local cuisine and I grab that box of berries that came all the way from Chile. Fresh blueberries! In winter! I must have them!
And so I did today: raw and tasty on my cream of wheat, and baked into a tasty crumb cake I made this morning for my no-show guest, to disguise the smell of last night's fish dinner. I had a piece, and it was tasty and delicious. And low-fat, so I will share the recipe:
2/3 cup sugar
1/4 cup stick butter, softened
1 t. vanilla
1 large egg
1 1/3 cups flour
1 t. baking powder
1/4 t. baking soda
1/8 t. salt
3/4 c. lowfat buttermilk (or take 1 T lemon juice and add milk to make 3/4 c.)
1 cup blueberries
3 T. sugar
3 T. flour
1 T. stick butter
1 t. cinnamon
Preheat oven to 350F. Coat a 9-in pan with cooking spray. Beat sugar and margarine until smooth; add vanilla and egg, beat well. Combine flour, baking powder, baking soda, and salt. Add flour mixture to creamed mixture alternately with buttermilk, beginning and ending with flour mix. Stir in blueberries. Pour into pan.
Combine 3T sugar and remaining ingredients into bowl; mix with fork until it resembles coarse meal. Sprinkle over batter. Bake at 350F for 40 minutes or until wooden pick in center comes clean. Cool and EAT. Yum.
How did I ever not love blueberries?
They're sweet with just the right hint of tartness. They're firm and round and squish with a burst of flavor when you crunch them between your teeth. They're tasty raw and fresh, and they're just as tasty baked into something warm that makes the house smell great when you bake it.
When I was younger, I wasn't a fan of blueberries. I wouldn't spit them out and gag, but I wouldn't seek them out, either. If I had a choice at Thankgiving, I'd pick apple or pumpkin or maybe even peach before I'd take a slice of blueberry pie. I'd go picking with my grandparents, and while they threatened to weigh my grandpa before and after entering the blueberry patch, those fresh berries would be safe from me.
With age comes wisdom, I suppose. (Getting older is good for something, at least!) Now I love blueberries any way I can get them: dried in my cereal, frozen and then nuked with my oatmeal, fresh by themselves, baked in pies, crisps, cakes. When I go to the store in the depths of winter and see a big old pound box of fresh blueberries staring at me, I forget all about global footprints and local cuisine and I grab that box of berries that came all the way from Chile. Fresh blueberries! In winter! I must have them!
And so I did today: raw and tasty on my cream of wheat, and baked into a tasty crumb cake I made this morning for my no-show guest, to disguise the smell of last night's fish dinner. I had a piece, and it was tasty and delicious. And low-fat, so I will share the recipe:
2/3 cup sugar
1/4 cup stick butter, softened
1 t. vanilla
1 large egg
1 1/3 cups flour
1 t. baking powder
1/4 t. baking soda
1/8 t. salt
3/4 c. lowfat buttermilk (or take 1 T lemon juice and add milk to make 3/4 c.)
1 cup blueberries
3 T. sugar
3 T. flour
1 T. stick butter
1 t. cinnamon
Preheat oven to 350F. Coat a 9-in pan with cooking spray. Beat sugar and margarine until smooth; add vanilla and egg, beat well. Combine flour, baking powder, baking soda, and salt. Add flour mixture to creamed mixture alternately with buttermilk, beginning and ending with flour mix. Stir in blueberries. Pour into pan.
Combine 3T sugar and remaining ingredients into bowl; mix with fork until it resembles coarse meal. Sprinkle over batter. Bake at 350F for 40 minutes or until wooden pick in center comes clean. Cool and EAT. Yum.
Monday, February 16, 2009
Photo of the Week--2/9/09
Subscribe to:
Posts (Atom)








*