Monday, November 22, 2010
Photo of the Week--11/22/10
Barcelona, what a beautiful city! Many of its sights were designed by the architect Antonio Gaudí, including the extraordinary cathedral known as the Sagrada Familia ("Holy Family"). Even from a distance, it's a striking sight, with its conical towers reaching into the sky. I took this close-up because I was fascinated by the detail work, which covers the entire building. I especially liked the colors of the stained glass.
Monday, November 15, 2010
Photo of the Week--11/15/10
One of the things I loved about visiting Malta was the variety of buildings and sites on this Mediterranean island. This is the UNESCO World Heritage Site of Mnajdra, a megalithic temple complex that dates to sometime around 3500 BC. We weren't there for an equinox to witness the sun lighting up one specific doorway, or for a solstice, when the sun lights up flanking megaliths, but we could climb around the complex, see the limestone megaliths and benches, and otherwise envision the place in its original setting. You can see there isn't any visitor center, or guard rails, or anything else to get in the way of the imagination—at least, there wasn't in 1999, when we visited. Now, I believe there is a tent to prevent further erosion, and guard ropes to direct tourist traffic. But when we visited we were the only ones there, and it was easy to imagine yourself in the middle of an ancient culture.
Thursday, November 11, 2010
The Printz Award Winners: 2006
The pace of fall hasn't slowed any, but I have with a twisted ankle ... meaning instead of running, walking, or TKD I've been using the exercise bike. I can read while I bike, and I've made it through the books from 2006 that "exemplify literary excellence in young adult literature," according to the American Library Association.
Winner:
John Green, Looking for Alaska
Honor books:
Margo Lanagan, Black Juice
Marilyn Nelson, A Wreath for Emmett Till
Elizabeth Partridge, John Lennon: All I Want Is the Truth, a Photographic Biography
Markus Zusak, I Am the Messenger
Lanagan's Black Juice: This collection of short stories from an Australian writer was trippy, wild, imaginative, and right up my alley. The author used all different kinds of fantastic settings, but only one was what you might think of as traditional fantasy, with a medieval-type setup. Sometimes it took a little patience to figure out the setting—one was futuristic punk, one seemed an African or aboriginal setting, one I didn't know how to describe—but they were all worth it. Lanagan creates snapshots of wildly different worlds, all with something interesting and powerfully moving at the center. I gobbled this book up very quickly. (Black Juice also won two World Fantasy Awards, for best collection and best short story for "Singing My Sister Down.")
A Wreath for Emmett Till: I'd heard of this book before, and was familiar with the subject—the fourteen-year-old African American boy who was murdered in Mississippi in 1955—but I didn't know that Nelson's book was actually a cycle of 15 interlinked sonnets, a form called a heroic crown. The last line of the first sonnet made up the first line of the second sonnet, etc etc, until the 15th sonnet, which is made up of the first lines of the previous fourteen. The format itself is impressive—especially when you see the first lines of the last sonnet spell out "RIP Emmett Till"—but the poetry is just as exhilarating. She uses imagery from popular culture, mythology, and history; links the hate of lynching to the attacks of 9/11, imagining a grown up Till becoming a hero in the towers; and calls for an end to hate. I read the book through once, then again with the notes the author includes at the end, explaining some of her references, and was thoroughly impressed. This book should be read not just by kids who need to understand the civil rights era, but by kids who don't think they like poetry. It's a wonderful, wonderful book, and the first thing I wanted to do after finishing it was share it with someone else. (A Wreath for Emmett Till also won a Coretta Scott King Honor citation from the ALA.)
Partridge's John Lennon: this heavily illustrated biography was one of the books that has led a renaissance of sorts in nonfiction for kids, as it seems lately there is at least one nonfiction book (if not more) that scores a major honors every year. And this is a very appealing book, liberally supplied with photos, that tells the story of Lennon's life from the time he was born until his murder in 1980. As someone who writes a lot of nonfiction, I really admire Partridge's judicious use of historical context, giving us just enough history to understand the events in Lennon's life without interrupting the flow of the story. The structure is simple, the pacing quick, and the subject compelling, making for a good read for any age.
Zusak's I Am the Messenger: this novel by an Australian novelist felt more like what they're now calling "new adult" literature rather than "young adult," as the main character, Ed, is out of high school and struggling to find purpose in his life. Chance seemingly sets him on a new path when he inadvertently thwarts a bank robbery, leading someone to send him playing cards in the mail with strange messages. The cards set Ed a series of tasks in which he is to help people, sometimes by directly intervening in their lives and sometimes just taking small actions that send a powerful message. Ed is an interesting character, and his struggle was compelling reading, but as the novel progressed and he learned more about who was sending him the cards, I found the story taking a metafictional turn that I found irritating. It was an entertaining read, but left me slightly unsatisfied at the end. (I Am the Messenger also won the Children’s Book Council of Australia Book of the Year Award.)
Green's Looking for Alaska: This novel, I think, was another game-changer in YA fiction, for its frank depiction of teenage "misbehavior." At the very least it introduced an incredible new voice in the genre. The "Alaska" of the title is not the state, but a girl that Miles "Pudge" Halter meets soon after starting classes at an Alabama boarding school. Alaska is wild and mysterious and Pudge is soon head over heels ... but the relationship doesn't last (because of a twist I won't reveal), and he and his friends are left trying to piece together why. The book has often been challenged by censors for its portrayal of teenage sex, smoking, cursing, and drinking—but none of these behaviors are gratuitous, and we see the consequences of the characters' poor choices, so these elements only strengthen the emotional honesty and power of the novel. I read this novel last year, and quickly sought out Green's other books.
So how might I have voted among this books? I have to say that I thought this year's finalists the strongest across the board since the first year of the Printz Award, and it would have been a hard decision. But I think Alaska is likely to be the longest lasting of the bunch, so I think I would have had to agree with the panel.
Can I manage to get to 2007 by the end of the month? I'm certainly going to try ... only four years of the award left to cover, and I'd like to get there by the end of the year.
Winner:
John Green, Looking for Alaska
Honor books:
Margo Lanagan, Black Juice
Marilyn Nelson, A Wreath for Emmett Till
Elizabeth Partridge, John Lennon: All I Want Is the Truth, a Photographic Biography
Markus Zusak, I Am the Messenger
Lanagan's Black Juice: This collection of short stories from an Australian writer was trippy, wild, imaginative, and right up my alley. The author used all different kinds of fantastic settings, but only one was what you might think of as traditional fantasy, with a medieval-type setup. Sometimes it took a little patience to figure out the setting—one was futuristic punk, one seemed an African or aboriginal setting, one I didn't know how to describe—but they were all worth it. Lanagan creates snapshots of wildly different worlds, all with something interesting and powerfully moving at the center. I gobbled this book up very quickly. (Black Juice also won two World Fantasy Awards, for best collection and best short story for "Singing My Sister Down.")
A Wreath for Emmett Till: I'd heard of this book before, and was familiar with the subject—the fourteen-year-old African American boy who was murdered in Mississippi in 1955—but I didn't know that Nelson's book was actually a cycle of 15 interlinked sonnets, a form called a heroic crown. The last line of the first sonnet made up the first line of the second sonnet, etc etc, until the 15th sonnet, which is made up of the first lines of the previous fourteen. The format itself is impressive—especially when you see the first lines of the last sonnet spell out "RIP Emmett Till"—but the poetry is just as exhilarating. She uses imagery from popular culture, mythology, and history; links the hate of lynching to the attacks of 9/11, imagining a grown up Till becoming a hero in the towers; and calls for an end to hate. I read the book through once, then again with the notes the author includes at the end, explaining some of her references, and was thoroughly impressed. This book should be read not just by kids who need to understand the civil rights era, but by kids who don't think they like poetry. It's a wonderful, wonderful book, and the first thing I wanted to do after finishing it was share it with someone else. (A Wreath for Emmett Till also won a Coretta Scott King Honor citation from the ALA.)
Partridge's John Lennon: this heavily illustrated biography was one of the books that has led a renaissance of sorts in nonfiction for kids, as it seems lately there is at least one nonfiction book (if not more) that scores a major honors every year. And this is a very appealing book, liberally supplied with photos, that tells the story of Lennon's life from the time he was born until his murder in 1980. As someone who writes a lot of nonfiction, I really admire Partridge's judicious use of historical context, giving us just enough history to understand the events in Lennon's life without interrupting the flow of the story. The structure is simple, the pacing quick, and the subject compelling, making for a good read for any age.
Zusak's I Am the Messenger: this novel by an Australian novelist felt more like what they're now calling "new adult" literature rather than "young adult," as the main character, Ed, is out of high school and struggling to find purpose in his life. Chance seemingly sets him on a new path when he inadvertently thwarts a bank robbery, leading someone to send him playing cards in the mail with strange messages. The cards set Ed a series of tasks in which he is to help people, sometimes by directly intervening in their lives and sometimes just taking small actions that send a powerful message. Ed is an interesting character, and his struggle was compelling reading, but as the novel progressed and he learned more about who was sending him the cards, I found the story taking a metafictional turn that I found irritating. It was an entertaining read, but left me slightly unsatisfied at the end. (I Am the Messenger also won the Children’s Book Council of Australia Book of the Year Award.)
Green's Looking for Alaska: This novel, I think, was another game-changer in YA fiction, for its frank depiction of teenage "misbehavior." At the very least it introduced an incredible new voice in the genre. The "Alaska" of the title is not the state, but a girl that Miles "Pudge" Halter meets soon after starting classes at an Alabama boarding school. Alaska is wild and mysterious and Pudge is soon head over heels ... but the relationship doesn't last (because of a twist I won't reveal), and he and his friends are left trying to piece together why. The book has often been challenged by censors for its portrayal of teenage sex, smoking, cursing, and drinking—but none of these behaviors are gratuitous, and we see the consequences of the characters' poor choices, so these elements only strengthen the emotional honesty and power of the novel. I read this novel last year, and quickly sought out Green's other books.
So how might I have voted among this books? I have to say that I thought this year's finalists the strongest across the board since the first year of the Printz Award, and it would have been a hard decision. But I think Alaska is likely to be the longest lasting of the bunch, so I think I would have had to agree with the panel.
Can I manage to get to 2007 by the end of the month? I'm certainly going to try ... only four years of the award left to cover, and I'd like to get there by the end of the year.
Monday, November 8, 2010
Photo of the Week--11/8/10
So many fountains in Rome ... so lots of opportunities to get shots like this one, with the Pantheon in the back. I liked the lighting and how it made the features of the sculptures stand out in relief (those teeth!), with the huge columns of the Pantheon gently glowing in the background. We took this trip in early 1999, when Boy was almost five, and we were traveling with my parents and my grandmother, who was making her first trip to Europe at age 83. It was the end of a long day traveling from Florence, so Boy took a nap with his grandparents while TSU and I had a nice relaxing drink at a cafe by the side of the Pantheon. This wonderful view from our table was the icing on the cake of having a little time to ourselves in a beautiful city.
Monday, November 1, 2010
Photo of the Week--11/1/10
I'm going back through my various vacation photos and pulling out those pics of interesting buildings or details. This photo is of one of the doors of the Florence Baptistery, an octagonal building across the plaza from the massive Duomo cathedral and the Campanile (bell tower) di Giotto. The Baptistery has three sets of these bronze doors, including this relief by Lorenzo Ghiberti depicting various Old Testament stories. Actually, my manservant Patsy is whispering that these are only copies, as the originals are now hidden away to protect them from further damage by exposure outdoors. Still, very impressive artwork, which took the artist and his workshop 27 years to produce. I can't imagine spending that much time on a single project, but it might be worth it for something that lasted this long!
Thursday, October 28, 2010
The Printz Award Winners: 2005
It's taken me a while, but I've finally made it through the books from 2005 that "exemplify literary excellence in young adult literature," according to the American Library Association.
Winner:
Meg Rosoff, how i live now
Honor books:
Kenneth Oppel, Airborn
Allan Stratton, Chanda's Secrets
Gary D. Schmidt, Lizzie Bright and the Buckminster Boy
Oppel's Airborn: I don't know where I've been that I hadn't heard of this guy's work before, but this fantasy novel was right up my alley. It's set on an alternative Earth where zeppelins are the dominant form of travel, and follows the adventures of Matt Cruse, a cabin boy on one of the spaceships. These adventures include rescuing a damaged air balloon, encountering pirates, crashing on a lost island, and discovering a new species of winged creature. Although the adventure is great fun, it's Matt's relationship with his co-discoverer, Kate de Vries, and his struggle to finally accept his father's loss that make this a great read. (Airborn also won the Canadian Governor-General's Award for Children's Literature.)
Stratton's Chanda's Secrets: Another Canadian author, a completely different genre. Set present-day in an unnamed African nation, the novel follows teenager Chanda as she tries to unravel many of the secrets that surround her family and friends. She doesn't really have secrets of her own, except that she suspects the truth about her mother's illness: HIV/AIDS, the initials no one around her will discuss even though it is ravaging her neighborhood. Omigod, you may be thinking, AIDS in Africa, this is one of those "issue novels." But it isn't, really, because Chanda is a real character and we learn about how the disease affects her family and her country through her experiences, not through any lectures. The facts are dire, but the ending is hopeful, making for a satisfying read.
Schmidt's Lizzie Bright: Oh, how I wanted to love this book. Schmidt is a Michigan author, and I enjoyed his more recent Newbery Honor book, The Wednesday Wars. And Lizzie is a historical novel with an unusual setting—an island town off the coast of Maine in 1912—something that usually hooks me right away. And it's not that I didn't like the characters (a minister's son who feels he doesn't measure up, an African American girl from a nearby island who befriends him) or enjoy the writing. But somehow every time I put the book aside, I wasn't in any hurry to pick it up again. And as I got further into the story, I understood why: because the novel is based on real events, I knew it wasn't going to end well. Bad things were going to happen to these nice characters—really bad things. Worse things than I'd imagined, really. So while the story was interesting, and built tension, and developed all the characters (even some initially "bad" ones), I wasn't in the mood to read the sad (but admittedly logical) ending. Excellent book, just not what I wanted to read just then. (Lizzie Bright and the Buckminster Boy also earned a Newbery Honor citation.)
Rosoff's how i live now: I'd actually read this a year or two ago, because the premise sounded so intriguing: an American girl is visiting relatives in the English countryside when war breaks out and she and her cousins are left alone to manage on their own. I love post-war/apocalypse stories (maybe I'll blog about that later), and this one was very enjoyable, with a different angle (the teen in a foreign country) I hadn't seen before. The voice was very strong in this first-person narrative, and so Rosoff could break all sorts of rules that writers are always told to follow, the main one being "show don't tell." Her narrator, Daisy, relates the whole story from her own point of view, and so there's little dialogue (except what she summarizes) and many scenes she's telling second-hand. While normally I'd get annoyed when someone breaks this rule, Daisy's voice was so strong and compelling that I didn't really notice. In addition, the story itself goes along at breakneck pace, and Daisy's growth as a character is natural and organic. It was an extremely entertaining book, even the second time around, when I knew what was going to happen.
So how I would have voted this year? I'm not ashamed to admit the two genre books were my favorites, and I think the fierce, original voice of Rosoff tips the scales in her favor. Again, it's interesting to note that as in 2004, there was no overlap between the Printz and the National Book Award lists. This, although three of the five books (but not the winner) were for young adults. But if I were to read all those as well, I'd never get to the end of these posts! I'm making progress on 2006, already, so look for that in a couple of weeks.
Winner:
Meg Rosoff, how i live now
Honor books:
Kenneth Oppel, Airborn
Allan Stratton, Chanda's Secrets
Gary D. Schmidt, Lizzie Bright and the Buckminster Boy
Oppel's Airborn: I don't know where I've been that I hadn't heard of this guy's work before, but this fantasy novel was right up my alley. It's set on an alternative Earth where zeppelins are the dominant form of travel, and follows the adventures of Matt Cruse, a cabin boy on one of the spaceships. These adventures include rescuing a damaged air balloon, encountering pirates, crashing on a lost island, and discovering a new species of winged creature. Although the adventure is great fun, it's Matt's relationship with his co-discoverer, Kate de Vries, and his struggle to finally accept his father's loss that make this a great read. (Airborn also won the Canadian Governor-General's Award for Children's Literature.)
Stratton's Chanda's Secrets: Another Canadian author, a completely different genre. Set present-day in an unnamed African nation, the novel follows teenager Chanda as she tries to unravel many of the secrets that surround her family and friends. She doesn't really have secrets of her own, except that she suspects the truth about her mother's illness: HIV/AIDS, the initials no one around her will discuss even though it is ravaging her neighborhood. Omigod, you may be thinking, AIDS in Africa, this is one of those "issue novels." But it isn't, really, because Chanda is a real character and we learn about how the disease affects her family and her country through her experiences, not through any lectures. The facts are dire, but the ending is hopeful, making for a satisfying read.
Schmidt's Lizzie Bright: Oh, how I wanted to love this book. Schmidt is a Michigan author, and I enjoyed his more recent Newbery Honor book, The Wednesday Wars. And Lizzie is a historical novel with an unusual setting—an island town off the coast of Maine in 1912—something that usually hooks me right away. And it's not that I didn't like the characters (a minister's son who feels he doesn't measure up, an African American girl from a nearby island who befriends him) or enjoy the writing. But somehow every time I put the book aside, I wasn't in any hurry to pick it up again. And as I got further into the story, I understood why: because the novel is based on real events, I knew it wasn't going to end well. Bad things were going to happen to these nice characters—really bad things. Worse things than I'd imagined, really. So while the story was interesting, and built tension, and developed all the characters (even some initially "bad" ones), I wasn't in the mood to read the sad (but admittedly logical) ending. Excellent book, just not what I wanted to read just then. (Lizzie Bright and the Buckminster Boy also earned a Newbery Honor citation.)
Rosoff's how i live now: I'd actually read this a year or two ago, because the premise sounded so intriguing: an American girl is visiting relatives in the English countryside when war breaks out and she and her cousins are left alone to manage on their own. I love post-war/apocalypse stories (maybe I'll blog about that later), and this one was very enjoyable, with a different angle (the teen in a foreign country) I hadn't seen before. The voice was very strong in this first-person narrative, and so Rosoff could break all sorts of rules that writers are always told to follow, the main one being "show don't tell." Her narrator, Daisy, relates the whole story from her own point of view, and so there's little dialogue (except what she summarizes) and many scenes she's telling second-hand. While normally I'd get annoyed when someone breaks this rule, Daisy's voice was so strong and compelling that I didn't really notice. In addition, the story itself goes along at breakneck pace, and Daisy's growth as a character is natural and organic. It was an extremely entertaining book, even the second time around, when I knew what was going to happen.
So how I would have voted this year? I'm not ashamed to admit the two genre books were my favorites, and I think the fierce, original voice of Rosoff tips the scales in her favor. Again, it's interesting to note that as in 2004, there was no overlap between the Printz and the National Book Award lists. This, although three of the five books (but not the winner) were for young adults. But if I were to read all those as well, I'd never get to the end of these posts! I'm making progress on 2006, already, so look for that in a couple of weeks.
Monday, October 25, 2010
Photo of the Week--10/25/10
When we visited Amsterdam in the fall of 1998, I had to get a shot of this boat. Amsterdam is noted for its, er, enlightened attitude toward the cannibis plant, and I'm sure there are tourists who go there just to experience it. As we were traveling with a 4-year-old and I'm an asthmatic, it didn't have any appeal, but this boat was too funny to resist. I'm not sure how the folks at Disney would feel about Aladdin's genie and Donald Duck cavorting about with weed ... or maybe that explains a lot about their behavior, like why Donald never wears pants.
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